Okay i explain the joke to you: First and foremost note how the comments upthread used the term "the american dream". Second note that "the american dream" is a media trope, a literary device and story we tell people to inspire them to follow certain ethics.
The traditional american dream is about social upwards mobility from rags to riches, about a promise that all that is needed to become wealthy is hard work, determination, a bit of ingenuity and puritan virtues. In its classic version it often features an immigrant family who comes to america with nothing but worn out clothes, works hard jobs and long hours to create a livelihood, overcomes hardships and struggles so their kids can get an education and better jobs. It often also calls out oppression, poverty and war in the old world as reasons for migration and to further highlight the ideals of liberal society in america.
The modern version ignored the generational aspect and instead focused on individuals becoming millionaires. Entertainment loves extremes, the lower the start and higher the end, the better. The quicker the journey, the better. And this became accelerated to the absurd. Be poor, wash dishes, millionaire. Since this is so very unlikely, and real people who fit it, like Rockefeller, became so unpresentable, media turned more and more towards fictitious comedies. Yet this version is still very dominant in culture, because it calls out a truth: when asked what the american dream is, many will say it is about becoming very rich. That is, what the modern american dreams of.
Now in contemporary media we see a return to the original idea, but with twist lampshading its problems. Migration is no longer a central topic, america no longer the beacon of hope for the tired, poor, huddled masses. Instead we see a focus on the disenfranchised and marginalized within american society. The post-modern MTV generations version of the american dream is B-Rabbit living in a trailer park with his alcoholic mom, making it as a rapper despite his peers attacking him for having the wrong skin color. It plays the core straight about making it with hard work and being virtuous, but it doesn't only look at materialism and individualism, as it also expects society to hold its promise of being liberal. The postmodern loves to play with dualities and reversing structures.
Lastly the post-modern satire version instead picks up the part that got dropped, the dream of becoming very rich. It teasers a protagonist from an african minority and reveals a wealthy and well educated white man from south africa. It shows upwards social movement from upper class to ultra rich, subverting the idealistic to instead highlight the reality that those who start well have more opportunities to venture and do even better. It holds up "being born rich" like Diogenes holds a plucked chicken, and calls out "behold: the american dream"
The pattern that I pointed out, that includes Von Braun, and Musk, is of people who, whatever their advantages and sins, were not privileged enough to be born in the US, and they then found unimaginably more opportunity in the US than in their homeland.
Is that how some people conceive of the "American dream"? I don't know, but I think it's the easiest to find factual evidence of happening over a long period of time.
The only version of the "American dream" I've ever heard was getting a small house on a ~1 acre lot and starting a family. I don't know what all this about becoming a millionaire is from.
-- a idk probably 10th generation American living on the East Coast.
The traditional american dream is about social upwards mobility from rags to riches, about a promise that all that is needed to become wealthy is hard work, determination, a bit of ingenuity and puritan virtues. In its classic version it often features an immigrant family who comes to america with nothing but worn out clothes, works hard jobs and long hours to create a livelihood, overcomes hardships and struggles so their kids can get an education and better jobs. It often also calls out oppression, poverty and war in the old world as reasons for migration and to further highlight the ideals of liberal society in america.
The modern version ignored the generational aspect and instead focused on individuals becoming millionaires. Entertainment loves extremes, the lower the start and higher the end, the better. The quicker the journey, the better. And this became accelerated to the absurd. Be poor, wash dishes, millionaire. Since this is so very unlikely, and real people who fit it, like Rockefeller, became so unpresentable, media turned more and more towards fictitious comedies. Yet this version is still very dominant in culture, because it calls out a truth: when asked what the american dream is, many will say it is about becoming very rich. That is, what the modern american dreams of.
Now in contemporary media we see a return to the original idea, but with twist lampshading its problems. Migration is no longer a central topic, america no longer the beacon of hope for the tired, poor, huddled masses. Instead we see a focus on the disenfranchised and marginalized within american society. The post-modern MTV generations version of the american dream is B-Rabbit living in a trailer park with his alcoholic mom, making it as a rapper despite his peers attacking him for having the wrong skin color. It plays the core straight about making it with hard work and being virtuous, but it doesn't only look at materialism and individualism, as it also expects society to hold its promise of being liberal. The postmodern loves to play with dualities and reversing structures.
Lastly the post-modern satire version instead picks up the part that got dropped, the dream of becoming very rich. It teasers a protagonist from an african minority and reveals a wealthy and well educated white man from south africa. It shows upwards social movement from upper class to ultra rich, subverting the idealistic to instead highlight the reality that those who start well have more opportunities to venture and do even better. It holds up "being born rich" like Diogenes holds a plucked chicken, and calls out "behold: the american dream"